[trans - formare]

Film destruction encompasses a reengagement with film photography and my profound intrigue in destructive processes, permeated with a favourable connotation of unpredictability and collaborative interaction with the elements. Deliberately employing household elements such as nail polish, polish remover, Ilfostop, and bleach, I derive immense pleasure and artistic fascination. The capricious nature of these processes, combined with the absence of instantaneous feedback inherent in film photography, culminates in a sequence of visually captivating serendipities. I accentuate the aesthetic merit of these fortuitous occurrences, drawing attention to the distinctive hues, textures, and patterns they engender. Engaging in these acts of destruction also functions as a therapeutic release, providing respite from accumulated stress. In summary, the discourse delves into the aesthetic significance and artistic allure of embracing the uncontrollable and enigmatic facets of film photography through the avenue of deliberate experimentation with destruction.