frame - time / remapping

Based on the idea of capturing fleeting time, I have used a technique that requires photographing segments of moving films directly from the screen. In this case, I am presenting a series that uses David Lynch's "Eraserhead." As a pretext. I proceeded to take a series of pictures, moving the film just by a fraction of the frame. As a result, I have managed to produce up to eleven small fractions in the extension of one frame. The final result is an entire 36 exposures film with up to 300 shots. In light of Bergson's philosophy of time, I analyse the strange mashup of fragments of fleeting time produced by this experimentation. This analysis initially questions and ultimately confirms the irreducible nature of duration. As I examine the images, I understand that the moment of the exposure determines the emergence of just one of a myriad of possible images between the filmic passing of the subject. The moving image is transformed into a pose, and the movement images shift to instantaneous images.